Sunday 22 December 2013

The representation of women in Hollywood and independent rom-coms with links to casting choices

In independent films, such as (500) Days of Summer, women are represented as independent and not needing of a relationship, whereas in Hollywood movies, women are represented in a stereotypical way, and require a man to help them or to be happy, and in the film Bridget Jones's Diary: The Edge of Reason, these ideas are very obviously portrayed.

The first time that these ideas are shown is in the introduction to both of these films. In Bridget Jones's Diary, Bridget Jones is the narrator, as the film is based on her diary, and she says: 
"Mark Darcy and Bridget Jones; I've found my happy ending and nothing else can spoil it."
 This quote shows that Bridget Jones is happy because she is in a relationship, which is a juxtaposition of Summer in (500) Days of Summer as the first description we are given of her is:
"...Tom Hansen grew up believing that he would never be happy until he found 'the one'... The girl, Summer, did not share this belief."
From this quote, we can see that the stereotypical male/female relationship is not adhered to in this film as it is the male in the relationship who believes that you can only be happy when you find 'the one' and the woman is skeptic of this belief.

In Hollywood rom-coms, the relationship between the two main characters is a happy one, even though they have bad bits in the middle, which can be seen when Bridget says as a narrator in a voice-over near the beginning:
"Have never been happier in my entire life (billboard says: Mark and Bridget are the real thing) Bridget Darcy; Mrs Darcy; Mr and Mrs Darcy; Lord and Lady Darcy..."
However, at the beginning of (500) Days of Summer as Tom looks back on his relationship with Summer with his sister, he realizes that it was never a good relationship, and he describes the break up scene at a diner with Summer describing their relationship;
"We've been like Sid and Nancy for months now."
And as he analyses his relationship with Summer more, the audience, and Tom Hansen, both realize that although Tom may have been happy, Summer wasn't.

Another contrast that Hollywood and independent rom-coms entail is the need for a relationship. In Bridget Jones's Diary, (29:20) Bridget grovels over Mark's voice-mail because she thinks that he is going to break up with her after a bad date, whereas in (500) Days of Summer, Tom and one of his friends, McKenzie, are surprised when Summer says:
"I don't want (a boyfriend)... You don't believe that a woman can be free and independent?"
These two clips prove how differently women are portrayed in Hollywood and independent rom-coms; in independent rom-coms, women are seen as quite strong characters, whereas in Hollywood movies, women are seen as needing a man, or a relationship, which can also be seen when Bridget gets arrested in Thailand.

When Bridget Jones is arrested in Thailand over a drug charge, she doesn't do anything to help herself. Instead, she waits around for a man, although in this case a rather emasculated and feminine man, to help her as she talks to the inmates about stereotypical female topics, such as boyfriends, bras, and Madonna. Although no one is arrested in (500) Days of Summer, Tom Hansen starts smashing plates when Summer breaks up with him, and it is up to a strong female character to save him, such as his younger sister, who he goes to numerous times throughout the film to ask for help. 

Finally, the ending of Bridget Jones's Diary: The Edge of Reason, conforms to a classic Hollywood rom-com as she and Mark walk off into the distance as she says in a voice-over:
"So as you can see, I have found my happy ending at last, and I truly believe that love is possible, even when you're 33 and have the bottom the size of 2 bowling balls."
While (500) Days of Summer finishes with Summer marrying another man, and Tom meeting a girl who is applying for the same architectural job as him, which is a very deceiving ending because the beginning scene is him holding Summer's hand with a wedding ring on.

Casting Renee Zellweger as Bridget Jones caused a lot of controversy with the British media, as she was the American 'girl-next-door' playing a middle classed English women with a weight problem and an alcohol and cigarette problem. However, she did a lot of research for the role and won over the British audience.

Bridget Jones is slightly overweight, and Renee Zellweger is very skinny, however she consulted a doctor and to put on weight and would be driven to restaurants for high calorie lunches. She was also not allowed to exercise, and gained 20 pounds for the role.
Reporting live from a big batch of excrement 
"I like your chubby bits"








Being American, Zellweger had to work on her accent to play the role of Bridget Jones, and so she worked with a dialect coach twice a day, who also gave her exercise to do. While staying in England, she always spoke with an English accent.
"Uncle Jeffery! Hello!"
Watched people walk
For the role of Bridget Jones, Zellweger had to learn how to smoke, and she was taught how to smoke and blow the smoke away from her eyes. While she was in London, she also walked around and learnt about the mannerisms of English people, for example, the way they walk and move, and the colloquial language.


Learnt mannerisms - posture & hand gestures
Taught how to smoke




Mark Darcy is a very stereotypical middle classed Englishman: a man with a good job, excellent manners, and is a but of a pansy. And Colin Firth is known for playing this character, and is best known for his Role as Mr Darcy in the BBC series: Pride and Prejudice, with the iconic moment of him walking up a hill with a wet shirt after a swim in the lake, with a similar scene in Bridget Jones's Diary: The Edge of Reason.


Firth's role of Mark Darcy as a stereotypical Englishman is seen when he has a "fight" with Daniel Cleaver. He doesn't punch Cleaver, he pushes him, slaps him, and tries to drown him in a few inches of water when they fall into a fountain, and this ties in with him being a noble character because he is doing this for Bridget Jones. And it is also seen when he breaks Jones out of prison and tells her that he didn't do it, he was just a messenger.
"The horse was lying"
"Are you going to come outside or am I going to have to drag you?"
He is also very awkward and OCD about sex. When Bridget Jones calls him up and mentions their "shag" the previous night on loud speaker while he is in a meeting, he gets very awkward and cuts her off, and when he goes to bed, he always folds his underwear. Finally, when he tells Bridget the he loves her, he gets very awkward and whispers it to her.
"I've just had a rather graphic shag"
Folded underwear

"I love you for God's sake"

Hugh Grant is another actor who was very well chosen, as his portrayal of Daniel Cleaver seems effortless, and he played the same character; a smooth talking ladies man, in Two Weeks Notice. This trait can be seen when he manages to get Bridget Jones into bed, even though he cheated on her.
Cleaver smooth talking Bridget
Cleaver beds Jones







"Ever fancy doing it in the dark with a complete stranger?"
In this film, Hugh Grant represents another type of Englishman - a smooth talker who comes across as charming, but is only after sex.
"You make appointment for 10:15."


Summer in (500) Days of Summer is the 'girl-next-door' character, and Zooey Deschanel is known for those roles in films such as Elf and Yes Man. She fits the cute, kind and unassuming profile that the girl next door has, and the color scheme of the film was chosen in order to bring out her eyes.
"I love the smile"
"Her shoe size was a little above average"


All American girl next door













Joseph Gordon-Levitt was a child star, however his transition from a child star to an actor was seen in the film 10 Things I Hate About You when he plays the love-struck character, Cameron, a role very similar to his character of Tom Hansen.
Love-struck and smashing plates
Aging hipster

"You make my dreams come true"















Joseph Gordon-Levitt worked with Zooey Deschanel in the summer of 2000 on a movie called Manic, and the producer for (500) Days of Summer liked their on-screen chemistry, and so, after casting Deschanel for the role of Summer, he offered Joseph Gordon-Levitt the role of Tom Hansen, who agreed after he read the script and heard that he would be playing opposite Zooey Deschanel.

In conclusion, women are represented as very stereotypical and require a man in their life to be happy in Hollywood rom-coms, whereas in independent rom-coms, women are represented as being independent and as having high goals in their professional life rather than their sex life, however there is a stereotypical male and female role in relationships in both Hollywood and independent rom-coms. And the actors who are chosen to play these roles are chosen based on their past performances of similar roles in other films and shows.

Tuesday 17 December 2013

Iconic moment in "Bridget Jones's Diary: The Edge of Reason"

In Bridget Jones's Diary: The Edge of Reason, the iconic moment is the fight scene between Mark Darcy and Daniel Cleaver, which is also in the first film. These scenes are iconic moments because they are continuous throughout the franchise, and they are key moments of the films that people remember and enjoy.

In this scene, Darcy and Cleaver start fighting outside Jones' apartment, break through into a restaurant, and finish back on the street

In this scene, Darcy pulls Cleaver out of a museum they fight in a park, they fall into a fountain and continue to fight

Male Identity in "Children of Men"

In Children of Men, the main protagonist, Theo, does not conform to the typical male stereotype as he is nurturing and protective of Kee, whereas the other male characters of the film do, for example, Sid conforms to the stereotype of men being violent and aggressive, which can be seen when he helps Kee, Theo and Miriam out of the van, and again when he sees the baby and chases Theo and Kee out of the house. The 'Niagra' advertisement is another example of male stereo-typicality because it is aimed towards men - it sounds like viagra. Finally, another character who conforms to the male stereotype is Theo's brother, who sits in his house and does't take any interest on anything that is going on outside.

Male and female roles in CoM

The main characters don't conform to a masculine role as they are more nurturing, however other characters, do because Sid is very aggressive, as is the Bishop when he conforms to the stereotype that all men like sex when he tries to rape Evey

Female identity in CoM and V are represented in different ways through different micro aspects such as MES specifically casting and costume which is used to show certain female actors who are not necessarily considered feminine in masculine roles, eg the hippie and Evey who is a good looking woman who is de-feminised with a shaved head.
-Bishop scene - women are innocent an pure (which conforms to female identity) and men are evil and sinful - camera angle is male gaze - she is using her body for power
-Scene where baby bump is revealed
-Representation of independence 

Monday 16 December 2013

Male and female identity in CoM

The main characters don't conform to a masculine role as they are more nurturing, however other characters, do because Sid is very aggressive, as is the Bishop when he conforms to the stereotype that all men like sex when he tries to rape Evey

Female identity in CoM and V are represented in different ways through different micro aspects such as MES specifically casting and costume which is used to show certain female actors who are not necessarily considered feminine in masculine roles, eg the hippie and Evey who is a good looking woman who is de-feminised with a shaved head.
-Bishop scene - women are innocent an pure (which conforms to female identity) and men are evil and sinful - camera angle is male gaze - she is using her body for power
-Scene where baby bump is revealed
-Representation of independence 

Tuesday 10 December 2013

Themes of CoM

Micro analysis 
Stick characters
Casting

Visually constructed - casting & stock characters

Colin Firth and High Grant aren't butch - Bridget Jones isn't a skinny bitch

Look at the casting and stock character

Genre - thrillers

Narrative - follows the dude in CoM
Messages - bad stuff will happen if we let it

Comparative points so far:

* Themes 
• dystopian future - different themes: war & dictatorship
-Style
• CoM = realistic
• V = more like a comic book
-Reason
• CoM = shot like a documentary & using relatable topics - a warning to the audience - and the style makes it more realistic
• V = a dude in a mask with super powers saving people doesn't seem realistic (genre)

* Genre (video essay)
• Although they are both thrillers and have similar themes, V has elements of a comic book film and CoM is a thriller
• Both sci-fi films (sub genre is dystopian sci-fi) - do they conform to a sci-fi film? Which one is more of a sci-fi? 
     • V has super powers from science
     • CoM - more modern technology - set in a time when people are infertile (takes a while)
- Has to be set in the future because it is a warning (message) 

* Narrative
• Neither film follows classical Hollywood narrative
- CoM - the film is not resolved 
- V - does have a revolution - not CHN because V does not have 'the hero's journey' - he is a terrorist and a freedom fighter - killing people and manipulating people ~ typical of villains 
     - Evey does follow the hero's journey, sets up as CHN - makes it more interesting for the audience- thriller form and so has to throw with the audience - subverts (undermine or rebel again) expectations ~ narrative reflects the themes of the films / the way it tells the story reflects how the character feels

Because it's the same stuff but applied to different films

>Representation of men, women, social class & national identity

Frued - didn't like sex, 1930's, Uncle of Eddie Bernays - made PR, believed that man is animalistic and if society doesn't manage these desires, the world would fall apart - cannot be trusted to govern ourselves because we can't control ourselves 

Woman smoking cigarettes - female empowerment 

January 2012
MACRO representation apply to CoM and 

England turns into it's most opposite - Germany

Start of the revolution
Big screen - over compensating

V on the screen
Kid asked Dad first

Fugee face
Baton - symbol of masculinity

Birthing scene
He keeps telling her what to do
He is in her vagina









Which emotional instinct is this designed to appeal to?
Hope, fear
A bank





Saturday 7 December 2013

Coursework

Women are represented as more independent in independent films than they are in Hollywood movies. 

Conclusion - by comparing the 2 films, what have you concluded? What is your answer?

Thesis - what are you stating - your understanding of the subject. 

Hypothesis - what you are expecting to find - your opinion

Draft due in two weeks
Draft 1
1,000 - 1,500 words marks against spec

20th Dec

Have to compare

Once compared, look for micro - analysis of the scenes   - cinematography - cinematography, editing, MES, sound

Conform to a more female stereotype 

Bridget Jones's Diary: The Edge of Reason notes

3:00 - Mark Darcy & Bridget Jones; I've found my happy ending and nothing else can spoil it. 

5:40 - Who cares about an unprofessional hiccup, I've been in a functional relationship for an adult male for 6 wonderful weeks, 4 fabulous days, and 7 precious hours. 

3:50 - Oh, can't, have to go out with my *boyfriend*

15:45 - Wonderful, loyal Mark Darcy who loves me just the way I am

17:21 - Have never been happier in my entire life (billboard saying: Mark and Bridget are the real thing) - Bridget Darcy, Mrs Darcy, Mr and Mrs Darcy

17:50 - At last, life is on track, fiancé, wife, mother

28:30 - If you had asked me tonight, I would've said no, anyway

28:50 - One minute, you're closer to someone than anybody in the whole worlds and the next you're never gonna see them again

29:20 - Voicemail to Mark, tries to beg and grovel to get him back

31:45 - He said he loves me!

35:06 - I can't believe he's left me

38:10 - Boyfriend and baby seems just to lucky

45:30 - You can never muster the strength to fight for me - expects a boyfriend to conform to the stereotype of being brave

46:27 - Frightened of dying a spinster

 47:50 - 5 weeks later; weight 4,000 lbs and enjoying a relationship with two men simultaneously - always has to be in a relationship - one named Ben, the other Jerry. Current number of boyfriends: zero, number of calls from ex boyfriend: none

49:09 - Oh god, I'm never going to get married and my sodding mum and dad are doing it twice

01:06:42 - You're looking for a weekend of sex, I'm looking for more

01:08:00 - Maybe Mark will have chucked Rebecca, and he'll be wearing a wet white shirt, and beg to have me back

01:13:24 - Mark Darcy comes to rescue her from the Thai prison - women always need to be saved by a man

01:14:00 - I think about you all the time. I really have missed you

01:15:25 - moves her hand to touch his

01:16:49 - Mark Darcy definitely doesn't love me any more

01:19:46 - Men have to fight for the woman/over a woman

01:22:49 - But believe me, next time I will not fuck it up, mum

01:25:00 - (Mark did a load of stuff to save Bridget) He must still love me!

01:27:59 - I'm afraid it's still men in general

01:30:00 - Song (my first, my last, my everything)

01:32:50 - I love him. Always have. Always will. And I'm, you know, available for dates, if you are do inclined. 

01:33:40 - I know there's no music playing, and it's not snowing

01:34:00 - Panics when he says she he isn't going to ask her to marry him 

01:35:07 - Bridget Jones, will you marry me?

01:36:08 - An excellent years progress. 

1:36:36 - Song (your love is king) and end kiss

01:37:06 - So as you can seem I have found my happy ending at last, and I truly believe that love is possible, even when you're 33 and have the bottom the size of 2 bowling balls. 

The representation of women in independent rom-coms compared to Hollywood rom-coms

In independent films, such as (500) Days of Summer, women are represented as independent and not needing of a relationship, whereas in Hollywood movies, women are represented in a stereotypical way, and require a man to help them or to be happy, and in the film Bridget Jones's Diary: The Edge of Reason, these ideas are very obviously portrayed.

The first time that these ideas are shown is in the introduction to both of these films. In Bridget Jones's Diary, Bridget Jones is the narrator, as the film is based on her diary, and she says: 
"Mark Darcy and Bridget Jones; I've found my happy ending and nothing else can spoil it."
 This quote shows that Bridget Jones is happy because she is in a relationship, which is a juxtaposition of Summer in (500) Days of Summer as the first description we are given of her is:
"...Tom Hansen grew up believing that he would never be happy until he found 'the one'... The girl, Summer, did not share this belief."
From this quote, we can see that the stereotypical male/female relationship is not adhered to in this film as it is the male in the relationship who believes that you can only be happy when you find 'the one' and the woman is sceptic of this belief.

In Hollywood rom-coms, the relationship between the two main characters is a happy one, even though they have bad bits in the middle, which can be seen when Bridget says as a narrator in a voice-over near the beginning:
"Have never been happier in my entire life (billboard says: Mark and Bridget are the real thing) Bridget Darcy; Mrs Darcy; Mr and Mrs Darcy; Lord and Lady Darcy..."
However, at the beginning of (500) Days of Summer as Tom looks back on his relationship with Summer with his sister, he realises that it was never a good relationship, and he describes the break up scene at a diner with Summer describing their relationship;
"We've been like Sid and Nancy for months now."
And as he analyses his relationship with Summer more, the audience, and Tom Hansen, both realise that although Tom may have been happy, Summer wasn't.

Another contrast that Hollywood and independent rom-coms entail is the need for a relationship. In Bridget Jones's Diary, (29:20) Bridget grovels over Mark's voicemail because she thinks that he is going to break up with her after a bad date, whereas in (500) Days of Summer, Tom and one of his friends, McKenzie, are surprised when Summer says:
"I don't want (a boyfriend)... You don't believe that a woman can be free and independent?"
These two clips prove how differently women are portrayed in Hollywood and independent rom-coms; in independent rom-coms, women are seen as quite strong characters, whereas in Hollywood movies, women are seen as needing a man, or a relationship, which can also be seen when Bridget gets arrested in Thailand.

When Bridget Jones is arrested in Thailand over a drug charge, she doesn't do anything to help herself. Instead, she waits around for a man, although in this case a rather emasculated and feminine man, to help her as she talks to the inmates about stereotypical female topics, such as boyfriends, bras, and Madonna. Although no one is arrested in (500) Days of Summer, Tom Hansen starts smashing plates when Summer breaks up with him, and it is up to a strong female character to save him, such as his younger sister, who he goes to numerous times throughout the film to ask for help. 

Finally, the ending of Bridget Jones's Diary: The Edge of Reason, conforms to a classic Hollywood rom-com as she and Mark walk off into the distance as she says in a voice-over:
"So as you can see, I have found my happy ending at last, and I truly believe that love is possible, even when you're 33 and have the bottom the size of 2 bowling balls."
While (500) Days of Summer finishes with Summer marrying another man, and Tom meeting a girl who is applying for the same architectural job as him, which is a very deceiving ending because the beginning scene is him holding Summer's hand with a wedding ring on.  

In conclusion, women are represented as very stereotypical and require a man in their life to be happy in Hollywood rom-coms, whereas in independent rom-coms, women are represented as being independent and as having high goals in their professional life rather than their sex life, however there is a stereotypical male and female role in relationships in both Hollywood and independent rom-coms.

Friday 6 December 2013

(500) Days of Summer notes

1:15 - Tom Hansen grew up believing that he would never be happy until he found the one

1:33 - The girl did not share this belief. Since the disintegration of her parents marriage she only loved two things...

1:55 - He knows straight away that she was the one

5:20 - I think we should break up... Is this normal?

5:58 - No, I'm Sid.
           So I'm Nancy

7:40 - There are only two types of people in this world; women, and men

18:40 - You got a boyfriend? No. Why not? Because I don't want one. No way. You don't believe that a woman can be free and independent? ...I don't feel comfortable being anyone's anything. I like being in my own. Relationships are messy and people get hurt. Holy Shit. She's a dude'

19:26 - You don't believe that? Do you? What does that word mean? I've been in relationships and I've never seen it... There's no such thing as love. I think it's fantasy. 

28:30 - I'm not really looking for anything serious. 

41:21 - I don't know. Who cares? I'm happy.

43:55 - I can't be love you... Was that for me? Was that for my benefit?... Yeah, well next time don't. 

44:52 - We're just friends... I like you, I just don't want a relationship  

47:14 - I can't give you that. (Talking about consistency)

47:32 - I like you - can't say I love you 

49:00 - What happened? What always happens; life

01:19.40 - You're married. Yeah. It's crazy, huh. 

01:20: 41 - It just happened... I just woke up one day and I knew... What I was never sure about with you

01:22:15 - It was meant to be... Tom was right, it just wasn't me that you were right about. 

Wednesday 4 December 2013

Genre

Genre

Genre - he style of the film - can determine what it's about - is seen in the trailer -

Audiences
People have expectations, if they are met it's a good film(mainstream), if it doesn't meet expectations it is bad.
- Bad - Not Ron - not what it says on the tin - dissatisfaction 
• Changes over time
• Can convert to make a hybrid 
Children of Men - Thriller - dark colours
Audiences like genre because they know what they're gonna get

Producers
- recipe - ingredients - conventions 

Consider the use of casting/actors

Horror - turning it into a rom com - "happy family" - kid who's looking for a dad who gets a new one

What Genre is V for Vendetta and children of men

C - apply the concept of genre to V and CoM - find the key scenes that demonstrate the genre effectively - produce a collage of the key scenes

B - use genre as a critical perspective - compare films and think about how they use genre

A - think about what one conforms and why

1) mood board
2) props, costume, makeup, actors
3) write an essay about why they are using genre in the ways that they are 


Adaptation of a comic book - visual affect and stylistic filming - three plots
Camera swooping through tunnels - scary (not for kids) 
Straight from the comic - angles are perfect - good looking movie 
Gives fans what they want - analysing the characters 
Good cast
Tone and look of the movie 
Dialog is smart, clever and thought out - feels real (what the future is gonna loom like) 
Emotion, depth, realistic (not glamorous) - batman was physically challenged 

Comic book films should keep to the original source material and look nice - what parts of V conform to a typical comic book movie? 

A hero has to sacrifice themselves to prove that they are heroic (theme of sacrifice) - sense of rebirth 
V has superhuman abilities through the tests that were conducted on him, progression of science - survival - theme of rebellion - way of getting rid of pent up anger 

Hybrid

Cups = genre 
Fluid = conventions 

Brown (sci Fi) & clear (action)
Strong colour got weaker and weak colour got stronger 

What makes CoM a thriller?
Messages through a TV screen - when he is on the bus. 
Fire, surroundings in a state, when he is on the bus or when he is in the refugee camp.
Flashbacks to the past - when he is looking at photos of his wife and kid. 
Theme of war - dystopian themes. 
Camera is not perfectly still

Essay plan for textual analysis - 5 key scenes from each film. Come to class with a conclusion. First draft due in 2 weeks.